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Showing posts with label Junot Diaz. Show all posts
Showing posts with label Junot Diaz. Show all posts

Friday, September 28, 2012

Banned Books Week 2012


Celebrate the freedom to read. September 30 through October 6, 2012 is Banned Books Week.

So what's the big deal about censoring a few dusty tomes? Well, click here for a list of books that have been banned, challenged or restricted in the last year. Do you recognize any of them? Some of the titles may surprise you. The Adventures of Super Diaper Baby by Dav Pilkey and Nickel and Dimed by Barbara Ehrenreich, for instance, would never have entered my radar as dangerous. But there's probably a little something for everyone on that list. As Nebula award-winner Catherynne Valente said, "If it's good and popular, it's been banned."

Find out if one of your favorite classics has been threatened with censorship and why. I discovered that A Separate Peace by John Knowles, which I studied in high school, was challenged for “unsuitable language” within my own school district just two years after I graduated. I loved A Separate Peace. It shaped how I look at the world, I believe, for the better. How sad it would have been if my fellow students had been denied the same opportunity I had to learn from that book. If you want to know more about the censorship of books, the American Library Association (ALA) has a wealth of information, including a video essay by Bill Moyers, the honorary co-chair of this year's Banned Books Week.

Celebrated author Junot Diaz said of censorship, "Every time we ban a text we're basically tearing a page from the book of our democratic culture." If you want to see what he and several other prominent writers think about their favorite banned books, the Association of American Publishers (APA) asked them and this is what they had to say:


Do you have a favorite book that has been banned or challenged?

Tuesday, September 18, 2012

How Junot Díaz Almost Made Me Miss My Bus Stop


Some authors are so good that I want to give them my full attention, which means not reading them on the bus. Sometimes I fail at this.

Back in April, I was on the bus on my way to the library when I saw that my magazine had the latest story by Junot Díaz. I told myself to save if for when I got home, so I could savor it. Then I told myself I would just read a few paragraphs. And then I almost missed my bus stop, hustling  down the aisle and out the door, magazine in hand, before the bus pulled away.

The story was "Miss Lora," and like the best stories in his 1996 short story collection, Drown, it is electric, crackling with energy that seems to rise off the page. Here's a passage that practically dares you to stop reading:

"You were at the age where you could fall in love with a girl over an expression, a gesture. That's what happened with your girlfriend Paloma--she stooped to pick up her purse, and your heart flew out of you. That's what happened with Miss Lora, too."

Although Díaz won the Pulitzer Prize for his novel, The Brief, Wondrous Life of Oscar Wao, there are fans of his stories who swear he's at his finest in the shorter form. Do the words Pulitzer Prize-winner put fear in your heart? Fear not: his stories are as accessible as they are dazzling, their immediacy heightened by Díaz's exuberant use of language.

Although his stories are frequently irreverent in tone, they often traverse dark and emotionally complex terrain. In "The Pura Princple," Yunior, who narrates most of the stories and who previously appeared in Drown and Oscar Wao, recounts his volatile brother's final months and his marriage to Pura, whom his mother hates. "She'd never been big on church before," Yunior says of his mother, "but as soon as we landed on cancer planet she went so over-the-top Jesucristo that I think she would have nailed herself to a cross if she'd had one handy." In "Alma," Yunior tells of his first love, "one of those Sonic Youth, comic-book-reading alernatinas," and his foolishness. When Alma reads his journal, which recounts an infidelity, she confronts him, to which he replies with "a smile your dissembling face will remember until the day you die: 'Baby . . . this is part of my novel.'"

All the stories above and more are included in Díaz's latest collection, This Is How You Lose Her. I checked my copy out on September 14th, just one day before the start of National Hispanic Heritage Month, which runs through October 15th. It's a time to celebrate the contributions of American citizens of Spanish, Mexican, Caribbean, and Central and South American descent. I'll be celebrating with Díaz's latest stories, grateful to him and to the grade school librarian he spoke of at his recent Chicago appearance, a woman who didn't speak any Spanish but who empathized with the young boy, only recently arrived from the Dominican Republic, and said the magic words: "Have some books."

Who are your favorite Hispanic American writers? And feel free to share any suggestions on how to celebrate Hispanic American Heritage Month.